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Mariam Kharatyan

Image of Mariam Kharatyan
Email
mariam.kharatyan@uia.no
Phone
+47 38 14 24 46
Mobile phone
+47 40 64 02 43
Office
K3022 (Universitetsveien 25, 4630 Kristiansand, Norway)

Areas of responsibility

Armenian pianist Mariam Kharatyan performs internationally as a soloist and chamber musician. She has her musical background as a classical pianist and completed her Master's degree at the Komitas State Conservatory in Yerevan, Armenia. From 2012 she moved to Norway and completed the Master program of Western-European Music at the University of Agder. Currently, she is an Associate Professor in Institutt for Klassisk Musikk og Musikkpedagogikk at the University of Agder.

Kharatyan has been a soloist with Kristiansand Symphony Orchestra, conducted by Eivind Gullberg Jensen, Norway, Torun Symphony Orchestra with Anna Duczmal-Mroz, Poland and String Orchestra of Sarajevo Music Academy with Tijana Vignevic, Bosnia Hercegovina. She is a prize winner in several international piano competitions such as “Giovanni Musicisti” (1st Prize, 2013) in Treviso, Italy, Grieg International Piano Competition in Bergen (Semifinalist, 2016), and in the “Renaissance” International contest-festival in Gyumri, Armenia, in 2010. 

Kharatyan had masterclasses with Leif Ove Andsnes, Einar Steen-Nøkleberg, Marianna Shirinyan, and Jan Jiracek Von Arnim, among others. She has performed in Kilden Teater og Konserthus in Kristiansand, National Gallery of Art in Washington DC, Leshowitz Recital Hall in Montclair, New Jersey, Khachaturian Concert Hall in Yerevan, also in Sweden, Germany, Italy, Hungary, Poland, Romania, Belarus, Bosnia-Hercegovina, and Lithuania.

From 2015-2019 she has worked on the project Armenian Fingerprints: interpreting the piano music of Komitas and Khachaturian in light of Armenian folk music, admitted in Norwegian Artistic Research Programme. In 2019 she has released two albums - Khachaturian, Chamber Music with Simax Classics, and Komitas, Shoror with Grappa Musikkforlag. 

Publications

  • Kharatyan, Mariam (2024). Score-Based Learning and Improvisation in Classical Music Performance, Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research. Open Book Publishers. ISSN 9781805112730. p. 181–194. doi: 10.11647/OBP.0398.09. Full text in Research Archive
  • Eidsaa, Randi Margrethe & Kharatyan, Mariam (2024). Rethinking Music Performance Education Through the Lens of Today’s Society, Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research. Open Book Publishers. ISSN 9781805112730. p. 251–270. doi: 10.11647/OBP.0398.13. Full text in Research Archive
  • Kharatyan, Mariam (2021). Aspects of Interpretation with Multicultural Performers. In Rykowski, Mikolaj (Eds.), Music E-ducation in XXI- st century. New challenges and perspectives. Wydawnictwo Miejskie Posnania, Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu. ISSN 9788365727596. p. 209–220. Full text in Research Archive
  • Kharatyan, Mariam (2021). Aspekty interpretacyjne muzyki w środowisku wykonawców wielokulturowych. In Murawskiej, Ewy; Schau, Jørn; Rykowskiego, Mikołaja & Kłysz-Sokalskiej, Natalii (Ed.), E-dukacja muzyczna w XXI wieku Nowe wyzwania i perspektywy. Wydawnictwo Miejskie Posnania, Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu. ISSN 9788365727626. p. 277–292. Full text in Research Archive

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Published Apr. 16, 2024 11:05 AM