Siri-Helen Egeland

• Bonadio, Enrico; Contardi, Magali & Egeland, Siri-Helen (2024). Can Artists Enforce Copyright while Remaining Anonymous? Some Reflections from a Street Art and Graffiti Perspective. Intellectual Property Quarterly. ISSN 1364-906X. doi: 10.2139/ssrn.4965334. Fulltekst i vitenarkiv
• Bonadio, Enrico; Egeland, Siri-Helen & Jean-Baptiste, Olivia (2023). From the Flower Thrower to the Monkey and Beyond : Banksy's Battle With Trademarks Continues. European intellectual property review. ISSN 0142-0461. 45(8). Fulltekst i vitenarkiv Vis sammendrag

  The English artist Banksy has recently faced trademark proceedings at the European Union Intellectual Property Office (EUIPO). Indeed, Pest Control Office Ltd., the official handling service which represent the artist, has filed in the past years several applications with the EUIPO, and obtained registrations, for various signs which incorporate some of Banksy’s most iconic pieces. Unfortunately for the artist, some of these registrations have been cancelled because the applications have been considered as filed in “bad faith". This short note first discusses the string of cancellations that Pest Control faced at the EUIPO. It then addresses the development that took place in October 2022 when one of the cancellations (the one related to the figurative trademark “monkey holding a placard”) was annulled by the EUIPO Fifth Board of Appeal on the grounds that the filing was not proven to be done in “bad faith”. Finally, the note looks at other jurisdictions where Pest Control has registered trademarks, before concluding with a short comment on how issues could be handled in the future by Banksy and his organisation to avoid the headaches suffered in these latest years.

• Bonadio, Enrico & Egeland, Siri-Helen (2022). STREET AND GRAFFITI ART BETWEEN AUGMENTED REALITY AND ARTIFICIAL INTELLIGENCE: A COPYRIGHT PERSPECTIVE. University of St. Thomas Law Journal. ISSN 1549-2028. 18(3). Fulltekst i vitenarkiv

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• Egeland, Siri-Helen; Nomeikaite, Laima & Tellefsen, Arne Vilhelm (2026). Gatekunst og Demokrati. doi: https:/www.uia.no/om-uia/fakultet/samfunnsvitenskap/arrangementer/kurs-konferanse-seminar/gatekunst-og-demokrati.html. Fulltekst i vitenarkiv Vis sammendrag

  Denne konferansen er del av Demokratiuka og setter søkelys på hvordan gatekunst og graffiti bidrar til en demokratisk diskurs, og hvordan kunsten kan få frem sannhet og være et verktøy i motstand mot undertrykkelse.

• Egeland, Siri-Helen (2025). Unauthorized augmentation of analogue art – copyright challenges. Fulltekst i vitenarkiv Vis sammendrag

  Presentasjon av artikkel på møte

• Egeland, Siri-Helen & Bonadio, Enrico (2025). An introduction to AI and art museums. Fulltekst i vitenarkiv Vis sammendrag

  An introduction to AI and art museums, held with Prof. Enrico Bonadio, City Law School, City St. George's, University of London

• Egeland, Siri-Helen (2025). Digital communication of analogue visual art. Fulltekst i vitenarkiv Vis sammendrag

  Innlegg om bruk av augmented reality og immersion på fysisk visuell kunst, og hvilke opphavsrettslige spørsmål som oppstår ved slik bruk.

• Bonadio, Enrico & Egeland, Siri-Helen (2024). Unauthorized use of street art and graffiti in augmented reality – Virtual Infringement of Copyright? | GSA - Graffiti and Street Art. Graffiti and Street Art (GSA). 2, s. 96–99. doi: 10.48619/gsa.v2i1.911. Fulltekst i vitenarkiv Vis sammendrag

  Graffiti writers and street artist are faced with novel ways their art can be used, but also exploited, due to the rapid evolution of technology. The AI revolution the world has witnessed over the last years, holds implications for the use and accessibility of other types of technology such as Augmented Reality (AR). AR is a technology using digital overlays or filters on the real world to give users an enhanced presentation of reality, through digital devices such as a smartphone. The creation of the digital overlay or filter, used to demand a high degree of tech knowledge. Now, however, that AI generators producing images are accessible to everyone, it is easier than ever before to create digital overlays to use in AR. Graffiti and street art works are vulnerable to exploitation in the digital world through the easy accessibility of the works in the street, the (often) anonymous artists and the appeal this type of art has to the public. In this article we explore one side of the legal implications of unauthorized use of street art and graffiti in AR, namely that of potential Copyright infringement. This article builds on an article we have published in the University of St. Thomas Law Journal, Vol. 18, No. 3, 2022, and presented at the Urban Creativity Conference in 2022. Our new article digs deeper into this intersection between law and technology from the street art perspective, and in light of the developments within the technology since the last publication we have a number of new questions to discuss.

• Bonadio, Enrico & Egeland, Siri-Helen (2024). Street art and AI - Challenges and Opportunities for artists. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2024). Site-Specificity in Street Art and Graffiti – Appropriating and Dialoguing with Urban Spaces. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2024). Street art, graffiti and NFTs - Copyright issues on the streets of Web3, NFTs, Creativity and the Law - Within and Beyond Copyright. Routledge. ISSN 9781003395508. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Site-Specificity in Street Art and Graffiti – Appropriating and Dialoguing with Urban Spaces. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Street Art, Graffiti and NFTs, del av panel: Emerging Copyright: An Era of Artistic and Artificial Intelligence. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Street art, graffiti and digital transformation - NFTs. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Street Art, Graffiti and NFTs: Copyright issues on the streets of Web3. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Street Art, Graffiti and NFTs: Copyright issues on the streets of Web3. Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2023). Street art, graffiti and NFTs. Fulltekst i vitenarkiv
• Egeland, Siri-Helen (2022). NFT-WTF? Fulltekst i vitenarkiv Vis sammendrag

  Innlegg og diskusjon om NFT på panelsamtale om NFT og kunst under Arendalsuka 2022. Andre deltakere: Bjarne Melgaard, Cornelia Svedman og Eirik Norman Hansen.

• Bonadio, Enrico & Egeland, Siri-Helen (2022). Street and graffiti art between augmented reality and artificial intelligence: a copyright perspective (remote). Fulltekst i vitenarkiv
• Bonadio, Enrico & Egeland, Siri-Helen (2022). STREET AND GRAFFITI ART BETWEEN AUGMENTED REALITY AND ARTIFICIAL INTELLIGENCE: A COPYRIGHT PERSPECTIVE. Fulltekst i vitenarkiv
• Egeland, Siri-Helen (2021). Kunsten å eie - deltakelse i paneldebatt under Arendalsuka. Fulltekst i vitenarkiv
• Egeland, Siri-Helen (2021). Street Art & Rights, kort innlegg på webinar under gatekunstfestivalen "Kunsten å leve". Fulltekst i vitenarkiv

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