Laima Nomeikaite

• Nomeikaite, Laima (2026). Knowing street art and graffiti without methods—Improvisational everyday practices. I Tolonen, Jonna & Myllylä, Mari (Red.), Methodologies for Graffiti and Street Art Research. Routledge. ISSN 9781032981956. Fulltekst i vitenarkiv Vis sammendrag

  Research on street art and graffiti frequently emphasizes problem-solving, scientific thinking and method-based knowledge production. In contrast, this chapter proposes that we conceive of such research as a lively, poetic and political improvisational performance of the everyday. Specifically, it proposes a hybrid improvisational approach integrating more-than-representational theory and phenomenology. Such an approach enables adaptation to complex street art and graffiti environments, facilitating exploration of the dialectical relations between the poetic and the political, the human and the non-human, and the spontaneous and the planned performances of everyday life. Drawing on my lived experience in Oslo from 2016 to 2024, this research illustrates the unfolding of various forms of knowledge (e.g., genres, spontaneity, politics, affective atmospheres, temporality) through street art, graffiti and material environments. It shows that street art and graffiti research is not confined to a workplace model or a subject–object relation, but forms part of a broader affective atmosphere, urban setting and personal life. Underpinning the improvisational approach is the idea that everyday practices can generate a deeper understanding of urban culture and the social world, while also helping to resist the stratified space of conventional method

• Nomeikaite, Laima & Reffstrup, Kirstine (2025). Performative writing of Hausmania’s subcultures and atmospheric surface. I Nomeikaite, Laima & Haldrup, Michael (Red.), Arts, Heritage and Performative Politics. Edward Elgar Publishing. ISSN 9781035321070. s. 123–137. doi: 10.4337/9781035321087.00020. Fulltekst i vitenarkiv Vis sammendrag

  The Hausmania cultural quarter in Oslo, Norway, has long served as an important centre for various subcultures, including hip-hop, tagging, squatting and the avant garde. However, its alternative nature has led to the criminalisation of these groups, who have been accused of contributing to social disorder and subjected to persistent threats of expulsion by city authorities. In opposition to such ‘authorised aesthetics’, we adopt a stance of resistance through micro-political acts of performative writing. Our approach to performative and political writing engages dialectically with the heritage of Hausmania through two intra-agential activities: (1) subcultures inscribing themselves on our bodies, to which we respond with both actual and imaginative writing; and (2) simultaneously sensing and describing the material surfaces and urban atmospheres of Hausmania, capturing their sensations, relationality, ephemerality and embedded politics.

• Nomeikaite, Laima & Haldrup, Michael (2025). Introduction: arts, heritage and performative politics. I Nomeikaite, Laima & Haldrup, Michael (Red.), Arts, Heritage and Performative Politics. Edward Elgar Publishing. ISSN 9781035321070. s. 1–12. doi: 10.4337/9781035321087.00008. Fulltekst i vitenarkiv Vis sammendrag

  Although art and heritage are closely related and, indeed, can mean the same thing, they are often seen through the lens of objects and as two different and separate categories. This chapter argues for refocusing from heritage artefacts to performative and political art heritage. Building on a variety of inspirations from performance, political aesthetics and practice-based approaches, this chapter seeks to engage with the complexities of performative and political heritage aesthetics, seeking to bridge the gaps between the representational and the non-representational, the discursive and the felt, in a holistic perspective. This is done in three main steps: (1) by making visible gaps of authorised aesthetics/authorised heritage discourse via artistic and everyday practices, as well as within the frictional and contested spaces between authorised aesthetics on the one hand and counter-aesthetics or affective commons on the other; (2) by acknowledging how art heritage intertwines with ‘theatrical’, artistic, personal and everyday contexts for its presentation and use; and (3) by proposing art-based heritage practice as an alternative way of studying, doing and thinking about heritage. Finally, the chapter introduces the empirical themes of the chapters collected in this book and how they deal with performative politics of art heritage through three main themes: art heritage as archiving; art heritage in relation to publics; and art heritage across rural and urban landscapes.

• Nomeikaite, Laima & Haldrup, Michael (2025). Invitations: performative politics of art heritage. I Nomeikaite, Laima & Haldrup, Michael (Red.), Arts, Heritage and Performative Politics. Edward Elgar Publishing. ISSN 9781035321070. s. 190–192. doi: 10.4337/9781035321087.00025. Fulltekst i vitenarkiv Vis sammendrag

  This short, concluding chapter provides an invitation for further artistic and scholarly engagements with the performative politics of art heritage. Drawing on the contributions of the book and its explorations of art and everyday practice examples, the chapter argues that art heritage is in a perpetual state of becoming characterised by contestation, resonance, dissonance, creativity, conflict, multiplicity, ephemerality and vibrancy. In this chapter, we outline four primary features of art heritage and its performative politics: (1) it is a force and a process, bridging lives, communities and material environments; (2) it is inherently personal, situated and contextual; (3) it emerges as a hybrid experience, blending the aesthetics of authorised heritage with those of the commons; and (4) art heritage proposes an alternative way of doing and thinking about heritage, amplifying voices that have been excluded from traditional heritage frameworks. In this way, this volume has underscored that art heritage is not merely a supplement to the grand, dominant heritage fields of archaeology, architecture, museology, art history and landscape studies, but an integral part of the heritage meaning-making process.

• Nomeikaite, Laima (2023). Street art, heritage and affective atmospheres. Cultural Geographies. ISSN 1474-4740. 30(4), s. 569–588. doi: 10.1177/14744740231161556. Fulltekst i vitenarkiv Vis sammendrag

  During the last decade, street art has received increased attention within heritage studies. However, current heritage research has not sufficiently explored street art’s crucial relationships with everyday life and change, as well as its performative, sensuous and atmospheric components. In this paper, I apply the notion of affective atmosphere within more-than-representational theory, heritage and urban studies, to conceptualise street art as a sensuous, ephemeral, political and embodied heritage experience of everyday life. My investigation of street art and affective atmospheres is further based on my improvised everyday practices of sensing, feeling, observing, walking and photographing in the streets of Oslo. Engaging with theory and praxis, I explore the compositional and multi-sensual aspects of street art and affective urban atmospheres, including sound, colour, movement, social hybridity and power. My analysis highlights that the experience of street art heritage involves more than simply embodied encounters with artworks, as it also integrates urban atmospheres and smooth and striated worlds. The research thus contributes practical and theoretical knowledge of street art, heritage and affective atmospheres within street art and urban and heritage studies.

• Nomeikaite, Laima (2022). Street art and evental heritage: from failure to discovery. International Journal of Heritage Studies (IJHS). ISSN 1352-7258. 28(8), s. 923–939. doi: 10.1080/13527258.2022.2099447. Fulltekst i vitenarkiv Vis sammendrag

  Conventionally, heritage conservation emphasises value-based systems, material maintenance and the continuation of practices. However, not only do these approaches fail to address street art’s ephemeral and intangible aspects, they are also exclusive. In response, drawing on more-than-representational theory and critical theories of heritage and street art, this paper proposes ‘evental heritage’ as a new frame for conceptualising the affective heritage politics of street art, as well as the ‘heritagisation’ of street art as a dynamic force for material and socio-political change. Exploring three events from Norway, the research argues that the unexpected destruction, removal or ‘threat of removal’ of street artworks is not necessarily negative, as it may enact a democratic heritage politics of street art through which the dominant pole of authorised aesthetics may be challenged and shaped. In particular, the exploration shows that such events can not only lead to a reconsideration of the meaning and value of street art, but also reveals the failures of representation and gives rise to new collective ways of being, doing and thinking about the city commons.

• Nomeikaite, Laima (2021). Heritage research as improvisation: An exploration of urban space. I Pløger, John; Førde, Anniken & Sand, Anne-Lene (Red.), Improvisasjon. Byliv mellom plan og planløshet. Scandinavian Academic Press. ISSN 9788230403006. s. 213–236. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2020). Street art as performative heritage. I Lindelof, Anja Mølle (Red.), Performance Design. 15 års alfabet. Roskilde Universitetsforlag. ISSN 9788799593941. s. 42–46. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2020). Heritagization of street art as a theatrical performance. The case study of Dolk’s artworks conservation in Bergen, Norway. Journal of Urban Cultural Studies. ISSN 2050-9790. 7(2), s. 133–155. doi: 10.1386/jucs_00022_1. Fulltekst i vitenarkiv Vis sammendrag

  In recent years, individual street artworks have been framed as cultural heritage. However, attempts to integrate street artworks and graffiti into formal heritage frameworks have not provided solutions to the philosophical and practical problems associated with their preservation. Rather than focusing on street artworks as passive objects to be conserved, preserved or managed, this research analyses the conservation of Dolk’s street artworks as an example of lively theatrical performance emerging from embodied actions, lived processes and social practices. Applying non-representational theory, heritage studies and cultural studies, the research argues that the conservation of street artworks is not passive, but active ‐ a process in which humans, social media and artworks, themselves, are active, relational and equally important actors contributing to ‘heritagization’. The case illustrates that acts of destruction ‐ as well as social media debates and street art performances that oppose conventional heritage practices and commodification ‐ can serve as stimuli for not only reconsidering the meanings and values of street art but also protecting the rights of city commons.

• Nomeikaite, Laima (2019). Street art and heritage conservation: From values to performativity. Street Art & Urban Creativity Scientific Journal. ISSN 2183-3869. 5(1), s. 6–18. Fulltekst i vitenarkiv Vis sammendrag

  The present study re-evaluates the relationship between street art and the value-based approach to heritage conservation. The research presents the limitations of the value-based approach, which relate to its conceptualisation of stakeholders,experts and tangible preservation, as well as its distinction between present and past, and tangible and intangible heritage. In response, the paper suggests a performative approach to street art heritage conservation theory and practice. First, the paper introduces the notion of performativity within non-representational theory and its temporary, affective and relational aspects. Drawing further on the performativity approach, street art and urban studies, the paper illustrates and argues that the aesthetic experience of street art does not distinguish between past and present or tangible and intangible; instead, the experience is relational, socio-spatial, temporary and affective. Finally, the research offers a performative methodology for practising relations between street art and heritage.

• Swensen, Grete & Nomeikaite, Laima (2019). Museums as narrators: heritage trails in a digital era. Journal of Heritage Tourism. ISSN 1743-873X. 14(5-6), s. 525–543. doi: 10.1080/1743873X.2019.1574803. Fulltekst i vitenarkiv

Se alle arbeider i NVA

• Nomeikaite, Laima & Haldrup, Michael (2025). Arts, Heritage and Performative Politics. Edward Elgar Publishing. ISBN 9781035321070. 214 s. doi: 10.4337/9781035321087. Fulltekst i vitenarkiv

Se alle arbeider i NVA

• Nomeikaite, Laima & Reffstrup, Kirstine (2026). Kan Pluto bli en planet igjen? Norsk Shakespearetidsskrift. ISSN 2535-4728. doi: https:/www.shakespearetidsskrift.no/anmeldelser/kan-pluto-bli-en-planet-igjen/272109. Fulltekst i vitenarkiv Vis sammendrag

  PLUTO – en duo-performance av og med Tone Avenstroup og Anouschka Trocker, i en duo-anmeldelse av Laima Nomeikaite og Kirstine Reffstrup.

• Nomeikaite, Laima (2026). En fare for byens kultur, mangfold og fellesskap. Fædrelandsvennen. ISSN 0805-3790. doi: https:/www.fvn.no/mening/kronikk/o/Arj6wr/en-fare-for-byens-kultur-mangfold-og-fellesskap. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Kunst og kulturarv – ikke enten eller. Arkitektur.no. doi: https:/arkitektur.no/meninger/debatt/kunst-og-kulturarv-ikke-enten-eller/. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Subcultures and performative writing as urban imaginary. doi: https:/situatedimaginationconference.cargo.site/posters. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Anthology presentation Arts, Heritage and Performative Politics. doi: https:/journals.wisethorough.com/index.php/uc/index/. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Undemocratic aspects of street art change : Authorised heritage aesthetics. doi: https:/journals.wisethorough.com/index.php/uc/index/. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Reffstrup, Kirstine (2026). Subcultures and performative writing as DIY activism. doi: https:/www.kismifconference.com/. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Heritage and Urban Art as Performative Improvisation. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Kunst, kulturarv og performativ politikk. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Subcultures and performative writing as affective resistance. Fulltekst i vitenarkiv
• Egeland, Siri-Helen; Nomeikaite, Laima & Tellefsen, Arne Vilhelm (2026). Gatekunst og Demokrati. doi: https:/www.uia.no/om-uia/fakultet/samfunnsvitenskap/arrangementer/kurs-konferanse-seminar/gatekunst-og-demokrati.html. Fulltekst i vitenarkiv Vis sammendrag

  Denne konferansen er del av Demokratiuka og setter søkelys på hvordan gatekunst og graffiti bidrar til en demokratisk diskurs, og hvordan kunsten kan få frem sannhet og være et verktøy i motstand mot undertrykkelse.

• Nomeikaite, Laima; Shults, Lee Michael; Akin, Deniz; Hundstad, Dag; Olsen, Marcus Elias & Warenius, Mary Ann Skretteberg (2026). Eilerts salong: Skeiv i Agder – gjennom historien og i dag. doi: https:/www.uia.no/om-uia/fakultet/samfunnsvitenskap/arrangementer/eilerts-salong/skeiv-i-agder.html. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Reffstrup, Kirstine (2026). Performative writing_workshop for Doctoral students of the Estonian Doctoral School of Humanities and Arts. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Reffstrup, Kirstine; Holmberg, Liv Kristin; Hale, Alex; Jacoel, Luanda Carneiro & Branco, Fernanda (2026). Panel: Arts Heritage and Living Archives. doi: https:/khio.no/events/2329. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Eidukonis, Marius (2026). Intervjue om Banksy anonymitet LRT Radio. [Radio]. Litauens nasjonale radio og televisjon (LRT). doi: https:/www.facebook.com/LRTKLASIKA/posts/po-banksy-slapyvard%C5%BEiu-galimai-slepiasi-did%C5%BEiojoje-britanijoje-gyvenantis-robina/1234505182229376/. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Shults, Lee Michael; Haaland, Hanne; Abdallah, Rasha & Beg, Mohammad Osman (2026). “A Fox under a Pink Moon” - panelsamtale. doi: https:/www.krscinematek.no/events/a-fox-under-a-pink-moon-panelsamtale/?fbclid=IwY2xjawQnuExleHRuA2FlbQIxMABzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeG34IlAsJxu3QXahaMqv2fGRsi2dHxAk8c3n7DVP5G6IhdaIOYaNohIudJRs_aem_zIThe9R0PI7RBZGIRD2eFw. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Kunst i byen og byen som kunst. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2026). Gatekunst, vern og konflikt. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Reffstrup, Kirstine (2025). Workshop: Performative writing in arts and humanities. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Jacoel, Luanda Carneiro; Branco, Fernanda; Reffstrup, Kirstine & Khoury, Jad El (2025). Boklansering: Kunst, kulturarv og performativ politikk. doi: https:/www.kristiansandkunsthall.no/arrangementer/boklansering-kunst-kulturarv-og-performativ-politikk. Fulltekst i vitenarkiv Vis sammendrag

  Lansering av antologien ‘Arts, Heritage and performative Politics’ redigert av Laima Nomeikaite (førsteamanuensis ved Institutt for global utvikling og planlegging, Universitet i Agder) og Michael Haldrup (professor ved Roskilde universitet) på Kristiansand Kunsthall.

• Nomeikaite, Laima (2025). Street art, heritage and more-than-representational memory. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Reffstrup, Kirstine (2025). Performative writting of Hausmania subcultures. doi: https:/graspfestival.dk/. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2025). Knowing street art and graffiti without methods: improvisational everyday practice. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2025). Gatekunst som kulturarv - mellom demokrati og ekskludering. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2025). Street art and graffiti knowledge production- debating democracy and finding alternatives. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2025). Arts, Heritage and Feminism. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Arts, Heritage and More-than-Representational Appraoches. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Street Art, Heritage, and the Ephemeral Paradox. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Street art, heritage and more-than-representational approaches. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Street art and heritage change– between democracy and exclusion. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Synnøve, Hole (2024). Skilt og bosskasser blir klistra ned: – Øydelegg den fantastiske utsikta. [TV]. NRK. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). GATVĖS MENAS, KULTŪROS PAVELDAS IR MIESTO ATMOSFERA. Nemunas. ISSN 0134-3149. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Ph.d. avhandling, utdrag og funn. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2024). Hausmania Brenner. Klassekampen. ISSN 0805-3839. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Gintare, Vasiliauskaite (2024). GATVĖS MENAS – LAIKINA PUOŠMENA AR NESUPRASTAS PAVELDAS? [Journal]. Kauno Diena. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Yngve, Sikko (2024). Strid om street art. [Internet]. Splitcity. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Austeja, Zovyte (2024). Vilniaus mero ir grafičių kova: nulinė tolerancija, nepavykęs eksperimentas ir uždraustos legalios sienos. [Internet]. Bernardinai.lt. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Street art as heritage – legal and illegal paradoxes. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Holt, Cecilie Tyri (2023). Louise Bourgeois - Arkitekturpsykologi. [Radio]. Kunstpodden. Fulltekst i vitenarkiv Vis sammendrag

  Programleder Cecilie Tyri Holt i samtale om Louise Bourgeois - Arkitekturpsykologi med Anne Catrine Busk og Laima Nomeikaite.

• Nomeikaite, Laima (2023). Arts and political ecology in arctic. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Street art, heritage and affective atmospheres. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Kulturminneforvaltning i Norge, lovverk. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Gatekunst som kulturarv – lidenskabens konflikt. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Arnold, Emma Mary Louisa; Johannessen, Steffen F. & Sharova, Ekaterina (2023). Panel om Kultur, Aktivisme og Ytringsrom. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Workshop om ikke-institusjonelle tilnærminger til kunst i det offentlige rom. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Gatekunst er kulturarv: Norsk kontekst. Fulltekst i vitenarkiv
• Torvund, Olav; Nomeikaite, Laima & Njord, Svendsen (2023). UiB «avslører seg som inkompetent», meiner ekspert på opphavsrett. [Internet]. Khrono. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2023). Gatekunst — en kulturarv som samtidig er kommers og protest. Fulltekst i vitenarkiv Vis sammendrag

  I september malte UiB over gatekunstverket Fjordprinsessa, noe som førte til skarpe reaksjoner. I denne kronikken avklarer gatekunstforsker Laima Nomeikaite hvordan gatekunst og kulturarv henger sammen.

• Nomeikaite, Laima (2022). Street art, heritage and events. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Street art, heritage conservation and events of conflicts and solutions. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Frers, Lars (2022). Arts, heritage and performative politics. Fulltekst i vitenarkiv
• Topsøe-Jensen, Johanne Wainø & Nomeikaite, Laima (2022). Forsker om kunstkodex: – Initiativet er positivt, men regler kan være problematiske. [Journal]. Frederiksborg Amts Avis. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Frers, Lars; Haldrup, Michael; Samson, Kristine & Johannessen, Steffen Fagernes (2022). Forskningsseminar 'Arts, Heritage and Performative Politics'. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Street Art and Evental Heritage in Norway: From Failure to Discovery. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Ugelstad, Hanne & Finucane, James (2022). Samtale om Tagging på radioprogram Radio Inter FM. Fulltekst i vitenarkiv
• Kalajdzic, Pedja & Nomeikaite, Laima (2022). Oslo-et lerret. [TV]. NRK. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Street art and evental heritage. Fulltekst i vitenarkiv
• Ieva, Zigaite & Nomeikaite, Laima (2022). Gatves Menas- Stiprus Ir Laikinas (Street art-strong and temporary). [TV]. Litauens nasjonale radio og televisjon (LRT). Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Gratiskunsten. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Karolina, Panto (2022). Intervju om Banksy politiske bilder i Ukraine. [Radio]. Litauens nasjonale radio og televisjon (LRT) . Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Gatekunst og graffiti som levende kulturarv. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2022). Gatekunst er kulturarv. Fulltekst i vitenarkiv
• Zilmer, Kristel & Nomeikaite, Laima (2021). Tyd disse runene! – om runer og graffiti fra Finnesloftet på Voss. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2021). Street art, heritage and everyday improvisation. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2021). Improvisation in the ‘Hotel Havana’ urban space in Oslo, Norway. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2021). Heritagization of street art as a theatrical performance. Fulltekst i vitenarkiv
• Nomeikaite, Laima & Žiūkaitė, Milda (2020). Gatvės meno tyrėja: tai raktas į daugelį neatsakytų klausimų kultūros paveldo srityje. [Internet]. LRT_Lithuanian National Radio and Television. Fulltekst i vitenarkiv
• Braathen, Karianne & Nomeikaite, Laima (2019). En sommernatt i 1984 sprayet Tormod Walberg bokstavene ‘Cole’ på denne veggen i Engene. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2019). Street Art as Cultural Heritage: Challenges and Opportunities. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2019). Kulturarv, gatekunst og lokal samfunnsutvikling. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Hansen, Susan; Reed, Martyn; Gøran, Moya & Gjengaar, Viktor (2019). Chair for Nuart panel at The Lund Urban Creativity Conference 2019. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2019). Street art and the Eventual Heritage Preservation- From Failures to Discoveries. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2019). Street art and performative heritage. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Reed, Martyn; Nipper, John; Gjengaar, Viktor & Arnold, Emma (2018). The panel ‘Street Art Curatorial Practices: Lessons from Norway. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Street art amd heritage management: challenges and solutions. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Street art, heritage and the more-than-representational. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Street art, heritage and performance. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Performance of conserving and preserving street artworks. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Deltaker på ‘Nutopia’ Panel sammen med Adrian Burnham (UK), Dr. Susan Hansen (AU/UK) og Nipper (UK/NO) på ‘ NUARTRAD International Street art conference. Fulltekst i vitenarkiv
• Hvaal, Sidsel; Thorsen, Kine & Nomeikaite, Laima (2018). Tegninger i tiden. [Journal]. Budstikka. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Både lovlig og ulovlig gatekunst er viktig. Forskning.no. ISSN 1891-635X. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Performance of street artworks in response to conservation: a case study from Bergen, Norway. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Right to the city’. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Performance of conserving and preserving street artworks. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Ledet ‘Public/Private Panel Debate’ på ‘ NUARTRAD International Street art conference. Fulltekst i vitenarkiv
• Nomeikaite, Laima (2018). Gatvės menas kaip paveldas: Teisė į miestą? Nemunas. ISSN 0134-3149. Fulltekst i vitenarkiv
• Nomeikaite, Laima; Frers, Lars; Samson, Kristine & Haldrup, Michael (2023). Street art, heritage and more-than-representational approaches. Roskilde Universitetsforlag. Fulltekst i vitenarkiv Vis sammendrag

  In recent years, street art has become increasingly acknowledged as cultural heritage. However, conventional artefact and value-based heritage approaches do not provide theoretical and practical guidance for the heritage conceptualisation or conservation of street art. In response, this article-based PhD thesis applies an alternative analytical framework comprised of more-than-representational (i.e. performative, affective, eventual, improvisational/practice-based) approaches, to increase our theoretical and practical knowledge of the ‘heritagisation’ of street art.

• Nomeikaite, Laima (2023). Street art, heritage and more-than-representational approaches. Roskilde Universitetsforlag. Fulltekst i vitenarkiv

Se alle arbeider i NVA