Henrik Martin Hansen Torjusen

• Torjusen, Henrik Martin Hansen (2024). At leve med tabernes fortælling. Fortidsbearbejdning i Peter F. Strasseggers Om stein og jord. In Langås, Unni & Torjusen, Henrik Martin Hansen (Ed.), Krigsforbrytere i dagens estetiske minnekultur. Cappelen Damm Akademisk. ISSN 9788202855666. p. 97–116. doi: 10.23865/cdf.232. Full text in Research Archive Show summary

  Found objects play an important role in many of the recently published novels and essays by second and third generation authors writing about their parents and grandparents. These texts describe the legacies of the authors’ fore fathers and the authors’ attempts at dealing with issues of perpetrator postmemory. The found objects play a central role in approaching and attempting to rewrite the family history, but at the same time these objects resist integration and inclusion into a coherent and harmonious story. As in Strassegger’s novel, Om stein og jord (2022), which is the focus of this chapter, these novels attempt to examine issues of guilt and perpetration by approaching these stories through a focus on the individual, thereby ignoring or disregarding questions of ideology and cultural history that are part of the object’s history. My analysis of Strassegger’s novel looks at how the text uses a found object, a 50-page life story written by Strassegger’s maternal grandfather, to understand his grandfather’s behaviour during the war in terms of a balancing act between his individual morality, his ideological convictions, and his cultural surroundings.

• Torjusen, Henrik Martin Hansen (2024). Building an Archive of Suffering in Philip Metres’ Sand Opera and Solmaz Sharif’s Look. In Domines, Martina & Armstrong, Charles Ivan (Ed.), Suffering in Anglophone Literatures. Lexington Books. ISSN 9781666944129. doi: https:/www.bloomsbury.com/us/suffering-in-anglophone-literatures-9781666944129/. Full text in Research Archive
• Langås, Unni; Torjusen, Henrik Martin Hansen & Kofod-Jensen, Alexander (2024). Nazifantasier. Anden Verdenskrigs forbrydere i nyere dansk litteratur. In Langås, Unni & Torjusen, Henrik Martin Hansen (Ed.), Krigsforbrytere i dagens estetiske minnekultur. Cappelen Damm Akademisk. ISSN 9788202855666. p. 53–75. doi: 10.23865/cdf.232.ch3. Full text in Research Archive Show summary

  Despite Denmark’s peripheral role in the Second World War, this his- torical period occupies a significant place in Danish historiography as well as in popular history and in the arts. Certain contemporary Danish novelists have set out to go against the Danish mainstream narratives centered around the victims of Nazi atrocities or resistance heroes, and instead focus on Nazi war criminals and other morally ambiguous figures. It is a type of novel defined in this chapter as Nazi fantasy. The chapter examines two examples of Nazi fantasy, Simon Pasternak’s Dødszoner (2013) and Nils Schou’s Bordtennis i Auschwitz (2011). Both authors experiment with the potential of literature to probe the con- sciousness of Nazi war criminals, exploring aspects of psychology, emotional life, and moral stance. The chapter’s analyses are based on two overarching tensions in the two novels: first, the relationship between narrative history and cultural history, which simultaneously evokes recognition and alienation in the reader, and, second, the tension between monstrosity and normality in the characteri- zation of the Nazi war criminal, which simultaneously calls for and denies reader identification.

• Torjusen, Henrik Martin Hansen (2023). Listening to the Enemy: Challenging The National Narrative of World War II in Contemporary Norwegian Fiction. Scandinavistica Vilnensis. ISSN 2029-2112. 17(3), p. 423–446. doi: 10.15388/ScandinavisticaVilnensis.2023.21. Full text in Research Archive Show summary

  This article analyses five Norwegian novels that all incorporate German soldiers' experiences as an important part of the Norwegian story of World War II. Abandoning the strong focus on antagonistic relationships of previous narratives, the five novels analysed in this article represent a new approach to the history of the war that aims to view the enemy through what Bull and Hansen (2016) have called agonistic memory, which includes the perspective of the perpetrator to understand conflicts. Previously, when Norwegian authors included German soldiers in narratives about World War II, it was part of a general portrait of the enemy. The individual soldier has few distinct features and no independent identity. These portraits followed the hegemonic Norwegian narrative of the occupation: The good Norwegians, who were part of the home front, versus the Germans and the morally inferior Norwegians who supported them. However, in the last ten years, several novels have revisited the war narrative through representations of previously neglected groups, one of which is the German soldier. The five novels have quite different approaches, but they all question the traditional Norwegian war narrative through complex representations of the enemy. My analysis of the five texts will identify how the texts challenge the conventional history of the occupation through an agonistic perspective that aims to revisit how the war is remembered. These representations of the German soldiers are a central part of the new examination of the long shadows cast by the memories of war in Norway.

• Torjusen, Henrik Martin Hansen (2023). I diskussion med arkivet: Kampen for værdighed i Hanna Dahls "Kraft" (2021). Nordlit. ISSN 0809-1668. 51(1), p. 17–32. doi: https:/septentrio.uit.no/index.php/nordlit/article/view/7020/7574. Full text in Research Archive Show summary

  Hanna Dahls roman Kraft (2021) fortæller historien om Olav, som er tidligere medlem af NS og frivillig på Østfronten under 2. verdenskrig. Dahls roman er en af de første førstepersonsfortællinger i norsk litteratur om en overgriber, selvom romanen ikke beskriver de faktiske overgreb. I stedet undersøger romanen Olavs tab af værdighed som følge af hans dom for forræderi efter krigen. Tabet af værdighed er et centralt omdrejningspunkt, som kommer til at dominere Olavs idé om identitet og personlige relationer. I denne forstand forsøger Dahls repræsentation af Olav at undersøge, hvordan 2. verdenskrigs lange eftervirkninger i Norge ikke kun har påvirket ofrenes liv, men også overgribernes liv. Gennem at undersøge, hvordan romanen diskutere arkivets funktioner, spørgsmål om værdighed og narrativ empati, forsøger denne artikel at se nærmere romanens portræt af en overgriber, der forsøger at finde en måde at fortælle sin historie og genvinde sin værdighed i kamp med det omgivende samfund.

• Torjusen, Henrik Martin Hansen (2023). Genkendelse og ønsket om at glemme. Anagnorisis i Morten Borgersens Jeg har arvet en mørk skog (2012) og Wencke Mühleisens Kanskje det ennå finns en åpen plass i verden (2015). European Journal of Scandinavian Studies. ISSN 2191-9399. 53(1), p. 23–41. doi: 10.1515/ejss-2022-2029. Full text in Research Archive Show summary

  This article examines the use of the narrative concept anagnorisis, or recognition, in two recent Norwegian novels, Morten Borgersen’s Jeg har arvet en mørk skog and Wencke Mühleisen’s Kanskje det ennå finns en åpen plass i verden. In both novels, the protagonist suddenly discovers their father’s secret history connected with their conduct during World War II. This revelation causes a new insight into their own and their family’s history and identity, and this in turn brings about feelings of shame and confusion. By using anagnorisis as a narrative device, the novels explore the gradual and ambivalent acceptance of a new identity and negotiations with social and personal expectations tied to being a descendent of a perpetrator.

• Torjusen, Henrik Martin Hansen (2022). Forsoning med fjenden. Fremstillingen af den tyske soldat i Ingrid Storholmens "Her lå Tirpitz" (2014), Norsk litterær årbok 2022. Det Norske Samlaget. ISSN 9788234008344. p. 172–194. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2021). Blodets lokkende sange. Ida Jacksons Morfar, Hitler og jeg og perpetrator postmemory. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. 108(3), p. 190–203. doi: 10.18261/issn.1500-1989-2021-03-04. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2020). Alt vil være, som det var før. Krisediskurs og utopi i Ben Lerners 10:04. Norsk litteraturvitenskapelig tidsskrift. ISSN 0809-2044. 23(2), p. 100–115. doi: 10.18261/issn.1504-288X-2020-02-03. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Fædrenes gæld skal nedarves indtil syvende led: Om misantropi og økonomiske traumer i Stig Sæterbakkens "Kapital". Bøygen: Organ for nordisk språk og litteratur. ISSN 0806-8623. 3-4, p. 76–87. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Wealth and Virtue: Utopian Republicanism in Tom Wolfe's "The Bonfire of the Vanities". American Studies in Scandinavia. ISSN 0044-8060. 47(1), p. 22–39. Full text in Research Archive

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• Langås, Unni & Torjusen, Henrik Martin Hansen (2024). Krigsforbrytere i dagens estetiske minnekultur. Cappelen Damm Akademisk. ISBN 9788202855666. 312 p. doi: 10.23865/cdf.232. Full text in Research Archive Show summary

  Krigsforbrytere har siden krigens slutt vært et vanskelig tema, og interessen har i vår tid ikke avtatt. Betegnelsen «krigsforbryter» har juridisk forankring, men blir også brukt mindre formelt, og ord som «landssviker», «landsforræder», «gjerningsperson» og «overgriper» hører med i diskusjonene som føres. Som bidragene i denne boka viser, er forestillingene om fortidens krigsforbrytere fortsatt levende, og deres gjerninger blir både vanemessig repetert og stadig tolket på nytt. I sentrum for mange tematiseringer av krigsforbrytere står dobbeltheten mellom vanlig menneske og brutal overgriper. Ikke minst gjennomsyrer den vurderinger av hvordan krigsforbrytere og deres handlinger bør og kan framstilles i estetiske uttrykksformer. I møte med fortidens ugjerninger må tilskueren forholde seg til en spenningsladet skala av gråtoner mellom dokumentariske tegn og tydelige fiksjonaliseringer. De kunstneriske uttrykkene vi undersøker i denne boka – litteratur, film, teater, tv-produksjoner og utstillinger, gir ulike tolkninger av krigsforbrytere og deres etterliv i den kollektive minnekulturen. En viktig tendens er at krigsforbryteren som estetisk figur er mindre karikert og mer sammensatt enn det som ofte har vært tilfelle. Målet for de aktuelle representasjonene er gjerne å forstå uten å tilgi, og samtidig relatere fortidens erfaringer til dagens verdidiskusjoner og politiske utfordringer. Krigsforbrytere i dagens estetiske minnekultur retter seg mot forskere, studenter og alle med en interesse for den fortsatte betydningen av andre verdenskrig.

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• Langås, Unni & Torjusen, Henrik Martin Hansen (2024). Kapittel 1: Innledning. In Langås, Unni & Torjusen, Henrik Martin Hansen (Ed.), Krigsforbrytere i dagens estetiske minnekultur. Cappelen Damm Akademisk. ISSN 9788202855666. p. 9–27. Full text in Research Archive Show summary

  Kapittelet er en introduksjon til de 13 artiklene i boka. Vi drøfter begrepet "krigsforbryter", gir en oversikt over rettsoppgjøret etter krigen, drøfter begrepet "gråsone", begrepet "etterminne", sjangeren "forbryterfiksjoner" og hva som ligger i formuleringen "estetisk formidling".

• Langås, Unni; Wulfsberg, Marius; Storeide, Anette Homlong; Kjørholt, Ingvild Hagen & Torjusen, Henrik Martin Hansen (2023). Krigsforbrytere i minnekulturen. Full text in Research Archive
• Hasund, Ingrid Kristine; Torjusen, Henrik Martin Hansen & Drange, Eli-Marie (2022). Tracking Written Learner Language: Background, context and studies of the TRAWL corpus. Nordic Journal of Language Teaching and Learning (NJLTL). 10(2), p. I–XVIII. doi: 10.46364/njltl.v10i2.1131. Full text in Research Archive
• Hasund, Ingrid Kristine; Drange, Eli-Marie & Torjusen, Henrik Martin Hansen (2022). Special issue: Young Learner Writing. Studies of the TRAWL (Tracking Written Learner Language) Corpus. Full text in Research Archive Show summary

  This special issue introduces the TRAWL (Tracking Written Learner Language) corpus and presents some of the first studies that have been carried out on the TRAWL material thus far. TRAWL is a longitudinal and multilingual corpus of young learner writing in primary and secondary schools in Norway, with authentic school texts in L1 Norwegian, L2 English and the most commonly taught L3s in Norwegian schools, French, German and Spanish. The aim of the TRAWL research group has been to create a corpus that addresses some of the needs in current learner corpus research, is compiled according to established design criteria and is openly available for research. With this special issue, we wish to inspire a wide range of studies of young learner writing based on TRAWL data in the years to come.

• Torjusen, Henrik Martin Hansen (2021). Vores nazister: Empati og erindring i Ingrid Storholmens Her lå Tirpitz (2014). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2021). Et nervøst, gulligt følehorn af lys. Anmeldelse af Tor Ulven: "Afløsning". Standart. ISSN 1602-2246. 2, p. 9–11. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2021). Flygtige ornamenter. Anmeldelse af Gregor von Rezzori: "Blomster i sneen". Standart. ISSN 1602-2246. p. 26–27. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2021). Marianne Stecher-Hansen (red.): Nordic War Stories: World War II as History, Fiction, Media, and Memory. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. 108(4). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2020). Lejlighedsvise barmhjertighedsgerninger. Anmeldelse af Joseph O'Neill: "Hunden". Standart. ISSN 1602-2246. 3, p. 38–38. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2020). Børneteater i bandeklostret. Om Simon Strangers "Leksikon i lys og mørke". Standart. ISSN 1602-2246. 3, p. 36–37. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2020). On the wrong side of history: Representation of WWII perpetrators and perpetrator postmemory. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Skønhed i en cirkel. Anmeldelse af Gertrude Stein: "Stykker til at spille" og Laura Luise Schultz: "Gertrude Steins skuespil". Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Helle Helle. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2019). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Ursula Andkjær Olsen. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2019). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Jonas Eika. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2019). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2019). Avhandling: The Last Act of Secular Prayer. Norsk litteraturvitenskapelig tidsskrift. ISSN 0809-2044. p. 200–203. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2018). Naja Marie Aidt. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2018). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2018). Tom Wolfe. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2018). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2018). Philip Roth. In Bolstad, Erik (Eds.), Store norske leksikon (snl.no 2018). Store norske leksikon AS. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2018). Kapitalismekritisk fyrverkeri. [Journal]. Klassekampen. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). De sejlivede gæster ved havet. Anmeldelse af Roy Jacobsen: "Hvidt hav". Atlas. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). Christina Hesselholdt. Store Norske Leksikon (Nettutgaven). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). Kirsten Thorup. Store Norske Leksikon (Nettutgaven). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). Genkendelsens ar. Anmeldelse af Ole Robert Sunde: "Tenk fort". Atlas. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). Det litterære selvmord. Om Stig Sæterbakkens: "Der, hvor jeg tænker, er det altid mørkt". [Radio]. Danmarks Radio, P1. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2017). "Den evige tjener". Anmeldelse av Mathias Faldbakken: "The Hills". Atlas. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2016). Å lære seg å dø. p. 19–19. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2016). Hvem er bange for Kate Chopin? Atlas. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2016). At leve som et problem. Anmeldelse af Ta-Nahisi-Coates: "Mellem mig og verden". Standart. ISSN 1602-2246. 2/3, p. 11–11. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Stjernekastere. Anmeldelse af Rachel Kushners "Flammekastere. Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Majsmarkernes ensomhed. Om Marianne Robinsons "Lila". Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). The Neoliberalist as a Young Man: The Ambiguity of Money and Competition in Jonathan Franzen's "Freedom". Full text in Research Archive
• Torjusen, Henrik Martin Hansen & Christiansen, Anne Kirstine Munk (2015). Det (nye) amerikanske essay. Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Vi er alle kød. Om Maggie Nelsons forfatterskab. Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). De rige har det hårdt. Om E. Lockhardt: "Vi var løgnere". Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). “Rankine og racismen.” Anmeldelse af Claudia Rankine: "Citizen: An American Lyric". Netudgaven. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Nyt amerikansk magasin gæster Norge. Atlas. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2015). Richard Powers. Store Norske Leksikon (Nettutgaven). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Afkroge af et upålideligt hjerte. Anmeldelse af Teju Cole: Åben by. Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen & Christiansen, Anne Kirstine Munk (2014). God litteratur er som pornografi. Om Norsk-Amerikansk Litteraturfestival. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Den amerikanske romanen post 9/11. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Det økonomiske liv. Anmeldelse af John Lanchesters "Kapital". Standart. ISSN 1602-2246. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Vi, som er født med gæld. Om Nina Lykkes "Oppløsningstendenser". Reception. Tidsskrift for nordisk litteratur. ISSN 1904-7088. 72, p. 110–110. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Spekulation og pengesyge. Om Passage #71. Standart. ISSN 1602-2246. 3. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2014). Jonathan Franzen. Store Norske Leksikon (Nettutgaven). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). Josephine Klougart. Store Norske Leksikon (Nettutgaven). Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). "Læsefællesskab”. Anmeldelse af Edda #3, 2013, Tidskrift för litteraturforskning #2, 2013 og Vagant #3, 2013. Standart. ISSN 1602-2246. p. 19–20. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). “Krimi, død og fred.” Anmeldelse af Bokvennen #1, 2013, Kulturo #35 og Kritiker #27. Standart. ISSN 1602-2246. p. 66–67. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). Humanisme er kapitalisme. Anmeldelse af Hans Boll-Johansen: "Penge. Mellem kapitalisme og humanisme”. Standart. ISSN 1602-2246. p. 68–68. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). “Litteratur og politik". Anmeldelse af 10TAL #12-13, 2013, Ord&Bild #3, 2013, Bøygen #2, 2013 og Salon 55 #3. Standart. ISSN 1602-2246. p. 68–69. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). Når man bliver indhentet af mørket. Om "Gjennom Natten" af Stig Sæterbakken. Reception. Tidsskrift for nordisk litteratur. ISSN 1904-7088. 71, p. 20–29. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2013). Nigerias samvittighed. Nekrolog over Chinua Achebe. Dagbladet Politiken. ISSN 0907-1814. p. 3–3. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2012). “Meningsløse tigre". Anmeldelse af Tea Obrecht: "Tigerens kone". Standart. ISSN 1602-2246. p. 35–35. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2012). Penge og litteratur. Standart. ISSN 1602-2246. p. 44–46. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2012). “Når de blå nætter ender, og mørket begynder". Anmeldelse af Joan Didion: "Blå nætter”. Standart. ISSN 1602-2246. p. 44–44. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2012). Skønlitteratur på P1: Penge og litteratur. [Radio]. P1, Danmarks Radio. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2012). Livet i banken. Om Signe Schlichtkrulls bankroman "Krak”. Standart. ISSN 1602-2246. p. 52–54. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). “At overleve (i) Wyoming". Anmeldelse af Annie Proulx: "Brokeback Mountain”. Standart. ISSN 1602-2246. p. 14–14. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). Min kamp (for at undgå Knausgård). Standart. ISSN 1602-2246. p. 1–1. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). “Når ironi ikke længere er nok". Anmeldelse af Tore Rye Andersen: "Den nye amerikanske roman”. Standart. ISSN 1602-2246. p. 14–14. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). "The best lack all conviction, while the worst are full of passionate intensity". Anmeldelse af John Dos Passos: "Manhattan Transfer”. Standart. ISSN 1602-2246. p. 43–43. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). “Sværdet under hovedpuden". Anmeldelse af Dubravka Ugresic: "Baba Jaga lagde et æg”. Standart. ISSN 1602-2246. p. 27–27. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2010). Guld lyver aldrig. Om Ayn Rands "Atlas Shrugged". Trappe Tusind. ISSN 1903-461X. 4, p. 50–61. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2018). The Last Act of Secular Prayer: Money and Utopia in Tom Wolfe’s “The Bonfire of the Vanities”, Richard Powers’s “Gain”, Dave Eggers’s “You Shall Know Our Velocity”, and Jonathan Franzen’s “Freedom”. Universitetet i Oslo. Full text in Research Archive
• Torjusen, Henrik Martin Hansen (2011). Dreams of Another Life: Money, Gender, and Identity in Edith Wharton’s "The House of Mirth" and Theodore Dreiser’s "Sister Carrie". The New School for Social Research. Full text in Research Archive

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