Bjørn Charles Dreyer

• Dreyer, Bjørn Charles (2021). Presentation of the music collaborative Paderewski/Grieg project. Full text in Research Archive
• Dreyer, Bjørn Charles (2020). Låtskrivning og ensemblespill foredrag/workshop. Full text in Research Archive
• Dreyer, Bjørn Charles (2020). The Gate. Full text in Research Archive
• Dreyer, Bjørn Charles (2020). Albuminnspilling med Halvor Holter i Urban Studios. Oslo Produsent: Odd Harald Jensen Men bl.a.: Erland Dahlen, Marius Reksjø, Jock Loveband m.fl. Full text in Research Archive
• Dreyer, Bjørn Charles (2020). Siste vakt på Ryvingen fyr. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). The Always Juvenilia, Timbre Trouble. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Paderewski Orchestra in Concert. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Konsert med Aagre/Honoré. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Engelsk. Full text in Research Archive Show summary

  Preproduksjon av Ronnie Jacobsens kommende album

• Dreyer, Bjørn Charles (2018). Paderewski Orchestra rehearsal. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Studio session with Kristiansand Symphony Orchestra. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). The Only Characteristic is Duration. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Entirety for Piano. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Preproduksjon, turne med Aagre/Honoré. Full text in Research Archive
• Dreyer, Bjørn Charles (2018). Konsert på med Natalie Sandtorv, Moritz Baumgärtner, Phillip Gropper. Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Imrov session. Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Namgar, Tigri Festival. Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Studio session (som ledet The blues in me). Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Studiosessions, 1. og 8. oktober 2017, som ledet til albumet I blame you, you blame me. Full text in Research Archive Show summary

  To studiosessions, innspilling og mix, med Violent Years som ledet til albumet

• Dreyer, Bjørn Charles (2017). Westaman - turné. Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Gitar og elektronikk. Full text in Research Archive
• Dreyer, Bjørn Charles (2017). Jeg hører farger og ser lyd. Full text in Research Archive Show summary

  Foredrag om synestesi, tuftet på egne synestetiske opplevelser.

• Dreyer, Bjørn Charles (2017). Studiosession, gitarpålegg for Pär Edwardsson 2. desember 2017. Full text in Research Archive
• Dreyer, Bjørn Charles (2016). Anne Grete Preus - Desembertoner. Full text in Research Archive
• Dreyer, Bjørn Charles (2016). Tuesday Gods. Full text in Research Archive
• Dreyer, Bjørn Charles (2016). Konsert med Mari Boine. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Solofremføringer. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Åpningskonsert. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Musikk og maskin. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Performing at the Punkt festival. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Ole Mofjell, Jędrzej Łagodziński, Bjorn Charles Dreyer. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Studio engineer, producer. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Konserter med Ronnie Jacobsen. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Kunstnerisk deltagelse på Musikkteknologidagene 2015. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Konsert med Namgar, festival i Mo i Rana. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Duo-konsert med Niko Valkeapää i Romanjemi, Finland. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Samisk Melodi Grand Prix. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Fremføring av Solaris. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Germinal. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Konserter med Anne Grete Preus. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Studio preproduksjon med Julie Klarisse. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Studio production, song: Satisfied. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Studioinnspilling. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Studio, preproduksjon. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Namgar. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Westaman, concert at Kunsthalle in Kosice, Slovakia. Full text in Research Archive
• Dreyer, Bjørn Charles (2015). Magnolia, turné i Nord Norge. Uke 39. Full text in Research Archive
• Dreyer, Bjørn Charles (2014). Duo-konsert i Guatemala med Niko Valkeapää. Full text in Research Archive
• Dreyer, Bjørn Charles (2014). Kirkens bymisjons julekonsert. Full text in Research Archive
• Dybo, Tor & Dreyer, Bjørn Charles (2020). Doing It to Death: An Investigation into a Session Musician’s Migration. 07 Media. ISSN 9788271179649. Full text in Research Archive
• Dreyer, Bjørn Charles (2019). Doing It to Death: An investigation into a session musician’s migration. Universitetet i Agder. ISSN 9788271179649. Full text in Research Archive Show summary

  This doctorate dissertation is about the guitar and technology in a creative perspective – about a change and transformation in musical direction. Dreyer's quest is to clarify how technology can help break new ground for a former session musician with ambitions to deepen and create a more distinctive personal expression. Through different angles and with an exploratory approach, Dreyer is searching for his own personal sound, using improvisation, composition and sound manipulating tools. Dreyer is an experienced session guitarist now exploring creating his own music using technology. He has participated in more than 160 released albums, and toured with numerous Norwegian and international artists. He also has released four albums with three different self-initiated music projects, two of which combine music and sound art. This text is an autoethnographic depiction of the quest for a personal change in musical direction and a need for a strengthened profile as a performer and composer. The reader can acquire an insight into Dreyer’s search for, and aim at a clearer idiom and sound, using technology.

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