Although the Christmas music genre covers a wide spectrum, there are certain sounds that tend to be used.
Whether you hate them or love them, some Christmas songs keep coming back year after year. For example, Mariah Carey’s ‘All I Want for Christmas Is You’ (1994), and ‘Last Christmas’ by Wham (1984).
“These songs are now typically played in shopping centres. They came as a breath of fresh air to the Christmas carol tradition with a new sound in the 80s and 90s. They are up-tempo, make you happy, make you want to dance and make you want to celebrate Christmas.”
Associate Professor Askil Holm teaches in the Department of Popular Music at the Faculty of Fine Arts at UiA and is more than happy to share his own Christmas playlist on Spotify. Here you can find everything from songs in dialect by Alf Prøysen from the 50s and 60s via sleazy 90s hits such as Boyzvoice with ‘Let Me Be Your Father X-Mas’, to the very recent ‘En gammeldags jul (Støres julevise)’ from 2022 by Jon Niklas Rønning and Trond Hanssen.
Although the range is wide, there are some common denominators.
“There are usually 11 instruments that play in typical Christmas songs”, says Holm, who is himself an experienced songwriter and artist.
Before hearing the conclusion, we asked some students in Vilhelm Krag Hall on campus Kristiansand about what they think a good Christmas song should contain.
“Bells are essential. Preferably something that creates an atmosphere, and that is about being with family”, says Silje Celine Lien.
Fabian Cleve Johansen thinks nostalgia is an important element. Although we can’t get away from the bells.
“The bells are a must. And the song should evoke the Christmas feeling you had as a child.”
Not surprisingly, there isn’t just one type of bells that makes a carol a carol, according to Holm. If you want to impress someone at the Christmas party, just memorise what the different bells are called:
“The first is the carillon, which sounds like small church bells. Then we have celesta and chimes, handbells and sleigh bells – associated with the sound of Santa Claus.”
But Holm’s list doesn’t end there.
“We also need a choir, lute, organ, piccolo trumpet and snare drums. The latter are heard in ‘Little Drummer Boy’. Slightly out of tune pianos as well, such as in the intro to ‘Home for Christmas’ by Maria Mena.”
With 60,000 to 70,000 songs released daily on streaming services like Spotify, around half of them these days are Christmas music. You might think that it is just a matter of following a formula to succeed in creating a Christmas song.
Student Jacob Even Sæterøy studied music at upper secondary school and his analysis of how to create a Christmas hit goes even deeper.
“You have a typical Christmas chord progression, with 6-2-5-1.”
Detailed knowledge like this warms Holm’s musical heart.
“That is correct! This chord progression is commonly used in jazz music, and also in Christmas music. A great example of a song that uses this chord progression is ‘White Christmas’ by Irving Berlin, or ‘It’s the Most Wonderful Time of the Year’ by Edward Pola and George Wyle.”
Some songs go down in the history books as so-called evergreens, while others are short lived.
What the classics have in common is that they often connect to memories from childhood. Askil Holm’s own Christmas favourite is the Norwegian song writer, Alf Prøysen. Several of the great Christmas carols from the last century were commissioned. In 1951, the weekly magazine Magasinet for Alle commissioned Alf Prøysen to write a Christmas carol that could ‘bring Christmas down from the sky and into a grey living room’.
“He did that brilliantly when he wrote ‘Julekveldsvise’. Prøysen’s starting point was Christmas in Norway and all the mundane Christmas preparations, and he managed to explain the nativity story in a popular way.”
Christmas music has gone through an evolution over the past twenty years. (See the fact box below)
A Christmas carol today can be linked to the Christian holiday ‘Christ Mass’, which starts with Christmas preparations as early as the end of October. It is often linked to the church music tradition of old hymns. The very oldest Christmas hymns we know are from before the year 500. ‘Veni redemptur gentium’ (Come saviour of the peoples) was written by Ambrose, the bishop of Milan, who died in the year 397. Several of the well-known Christmas hymns, such as ‘A child is born in Bethlehem’, date from the Middle Ages.
“But when the modern Christmas celebration made its entrance in the 19th century with new customs, such as the Christmas tree, carols had a revival and lay people also wrote songs”, Holm says.
The other kind of Christmas songs is linked to the pagan tradition ‘Yule’ and is associated with the festive season, the winter solstice and the yule sacrifice. Midwinter's Day (also called ‘juleblot’, ‘midtvintersblot’, ‘jól’, ‘torreblot’ and ‘hökunótt’) was originally a sacrificial festival that took place at the first full moon after the winter solstice.
From the ancient hymns via songs and ballads that were printed on broadsides - small, cheap songbooks with a handful of rhyming verses, which circulated in Norway in the period 1550 to 1950 - a modern festival repertoire has been added. The pagan and more popular music tradition has merged with the so-called ‘russemusikk’, the party music that has flourished in the last 15 years. TIX and Staysman are examples from this genre.
“It’s about having fun, with irony and satire. Not unlike the old comic ballads”, Holm says.
In other words, there is a Christmas song out there that suits every taste - and maybe you’ll listen to your favourite song with special awareness this year.