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Daniel Nordgård

Professor

Director CreaTeME -Center of Excelence in Education, Lecturer Music Business and Management

 
Office:
K2014 ( Universitetsveien 25, Kristiansand )

Daniel Nordgård is professor in music business and management and the author of the book The Music Business and Digital Impacts (2018). Nordgård’s research and publications focus on understanding better the music industries’ digital transitions, and with particular focus on three themes: (1) structural change in the music industries, (2) music streaming and digital sustainability, and (3) music policy. He has a broad background from music, foremost as musician and artist, but he also has experience from concert promotion and festival management. Nordgård teaches music business and management at the University of Agder and the Sibelius Academy in Helsinki, Finland

Nordgård is director of CreaTeME, UiAs new Center for Excellence in Creative use of Technology in Music Education. He sits on the board of the International Music Business Research Association (IMBRA) and is member of the editorial board of the International Journal of Music Business Research. Nordgård is regularly invited as guest speaker at music business conferences and academic conferences, nationally and internationally, and is regularly used as expert by policy makers and legislators.

 

Projects

Current research projects:

MusicDNA Sustainable Eco system (MuSEc) – 2020-2024

Research and innovation, grant from Norwegian Research Council

The main objective is to provide tools for accurate, energy-efficient, interoperable usage monitoring, to establish an ecosystem for fair,
transparent remuneration of rights holders in the music industry, by:

a) Provision of a scheme for new, internationally recognized ID for works and recordings, improved registration process applying audio
fingerprints and build-up of a new database for rights holders.

b) Development of advanced, consequently energy-efficient audio fingerprinting algorithms and their extension with source separation
technologies, and an advanced retrospective stream analysis for recognition and documentation of past airplays and localization /
tagging of unknown content

c) A concept for a new business model with remuneration based on the aforementioned tools.

Partners; Music DNA; NHH – Norwegian School of Economics; Fraunhofer Institute for Digital Media Technologies (IDMT), Germany, University of Agder

 

Crowdfunding in the Culture Sector: Adoption, Effects and Implications (CROWDCUL) - 2020-2024

Research project, grant from Norwegian Research Council

The main goal of the research project is to explore the role of crowdfunding as
a channel for financing cultural productions.
The following research objectives will be addressed. First, we aim to analyze
the determinants of crowdfunding adoption by artists, i.e. what motivates and
prevents artists from using crowdfunding for financing their projects. Second,
we will investigate short- and long-term effects of crowdfunding on artists'
economy, reputation and aesthetic practices. Finally, we will address the
implications of crowdfunding at a sector level focusing on both traditional
funding mechanisms and artists' aesthetic practices in general.

Partners: Western Norway University of Applied Sciences; University of Agder; University of South-Eastern Norway; NORCE Norwegian Research Centre; Universittat de Barcelona

 

Selected publications

Books (monographs and anthologies)

Morrow, G., Nordgård, D., Tschmuck, P. (Eds) (2022) Rethinking the Music Business. Music Business Research. Cham, Switzerland, Springer Nature

Nordgård, D (2018) The Music Business and Digital Impacts: Innovations and Disruptions in the Music   Industries, Cham, Switzerland, Springer Nature

Book chapters

Nordgård, Daniel (2022) Music Management in the Age of Algorithms: Navigating by numbers. In Simjanovska, V., & Karjalainen, T. M. (eds.). The Art of Re-thinking: New Era for Arts Managements. Sibelius Academy Publications 23, Helsinki, Finland

Nordgård, Daniel; Morrow, Guy; Tschmuck, Peter (2022). Introduction. Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19. ISBN: 978-3-031-09531-3. Springer Nature. Chapter 1 Introduction. s 1 - 8

Morrow, G., Nordgård, D. (2022). The Music Modernization Act: Mechanical Copyright in the Age of Music Streaming. In: Morrow, G., Nordgård, D., Tschmuck, P. (eds) Rethinking the Music Business. Music Business Research. Springer, Cham.

Nordgård, D. (2022) The presence and Absence of Policy in the Digital Music Industries. In Homan, S. (Ed.) The Bloomsbury Handbook to Popular Music Policy. Bloomsbury Publishing, USA

Nordgård, D. (2022). Nesten alene: Artisten, økonomien og bransjen. I S. Røyseng, H. Stavrum & J. Vinge (Red.), Musikerne, bransjen og samfunnet (Kap. 8, s. 199–221). Cappelen Damm Akademisk.

Nordgård, D (2017) Assessing Music Streaming and Industry Disruptions, in Meil, P. and Kirov, V. (Eds.) (2017). Policy Implications of Virtual Work. Basingstoke: Palgrave Macmillan

Nordgård, D. (2016) Lessons From the Worlds Most Advanced Market for Music Streaming Services, in Business Innovation and Disruptions in the Music Industries, Massachusetts, Edward Elgar Publishing

Nordgård, D. (2016) Norwegian Festivals and a Music Economy in Transition: The art of balancing ambitions, expectations and limitations, in Newbold, C. and Jordan, J. (Eds.) (2016) Focus on World Festivals Goodfellow Publisher, Oxford, UK

Articles:

Nordgård, D. (2021) Views from the boundaries: Music streaming revisited. In MedieKultur: Journal of media and communication research, 37(70), 032-049.

Aas, T. H., Hjemdahl, K. M., Nordgård, D., & Wästlund, E. (2021). Outbound Open Innovation in Tourism: Lessons from an Innovation Project in Norway. In Managing Open Service Innovation (pp. 167-185)

Högberg, J., Wästlund, E., Aas, T. H., Hjemdahl, K., & Nordgård, D. (2020). Herding the Hordes: Using Location-Based Services and Mobile Messaging to Affect Visitor Behavior. Journal of Hospitality & Tourism Research. Sage Journals

General outreach

Selected links to general outreach:

Wolfgang Wee Uncut

https://www.youtube.com/watch?v=d-d1pen4sz4

Lage Musikk, Vickie Nauman and Daniel Nordgård:

https://www.youtube.com/watch?v=9blvWwPX_gA

 

 

Scientific publications

  • Udo, Roderick; Nordgård, Daniel; van Teeffelen, Lex (2023). Financing Preferences of Individual Entrepreneurs: Music Careers in the Spotlight. International Reveiw of Entrepreneurship. ISSN: 2009-2822. 21 (1). s 67 - 98.
  • Nordgård, Daniel; Morrow, Guy; Tschmuck, Peter (2022). Introduction. Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19. ISBN: 978-3-031-09531-3. Springer Nature. Chapter 1 Introduction. s 1 - 8.
  • Nordgård, Daniel (2022). MUSIC MANAGEMENT IN THE AGE OF THE ALGORITHMS – NAVIGATING BY NUMBERS. The Art of Re-thinking: New Era for Arts Managements. ISBN: 978-952-329-296-3. Sibelius Academy Publications.
  • Nordgård, Daniel (2022). Nesten alene: Artisten, økonomien og bransjen. Musikerne, bransjen og samfunnet. ISBN: 9788202716264. Cappelen Damm Akademisk. Kapitel 8. s 199 - 221.
  • Nordgård, Daniel (2022). The presence and Absence of Policy in the Digital Music Industries. The Bloomsbury Handbook of Popular Music Policy. ISBN: 9781501345340. Bloomsbury Academic. 3.
  • Aas, Tor Helge; Hjemdahl, Kirsti Mathiesen; Nordgård, Daniel; Wästlund, Erik (2021). Outbound Open Innovation in Tourism: Lessons from an Innovation Project in Norway. Managing Open Service Innovation. ISBN: 978-981-123-448-4. World Scientific. Kapittel 8. s 167 - 185.
  • Högberg, Johan; Wästlund, Erik; Aas, Tor Helge; Hjemdahl, Kirsti Mathiesen; Nordgård, Daniel (2020). Herding the Hordes: Using Location-Based Services and Mobile Messaging to Affect Visitor Behavior. Journal of Hospitality & Tourism Research. ISSN: 1096-3480. 44 (5). s 870 - 878. doi:10.1177/1096348020912449.
  • Nordgård, Daniel (2016). Lessons from the world’s most advanced market for music streaming services. Business Innovation and Disruption in the Music Industry. ISBN: 978-1-78347-814-9. Edward Elgar Publishing. 9. s 175 - 190.
  • Nordgård, Daniel (2016). Norwegian Festivals and a Music Economy in Transition: the art of balancing ambitions, expectations and limitations. Focus on World Festivals: Contemporary case studies and perspectives. ISBN: 978-1-910158-56-2. Goodfellow Publishers. 3.
  • Nordgård, Daniel (2013). Norske Festivaler og en Musikkbransje i omveltning: Kunsten å balansere ønsker, forventninger og behov. Festival! Mellom rølp, kultur og næring. ISBN: 978-82-02-42221-9. Cappelen Damm Akademisk. 3. s 54 - 69.
  • Nordgård, Daniel; Morrow, Guy; Tschmuck, Peter (2022). Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19. ISBN: 978-3-031-09531-3. Springer Nature. s 260.
  • Nordgård, Daniel; Morrow, Guy (2022). The Music Modernization Act: Mechanical Copyright in the Age of Music Streaming. ISBN: 978-3-031-09531-3. Springer Nature. s 17.
  • Nordgård, Daniel (2018). The Music Business and Digital Impact: Innovations and Disruptions in the Music Industries. ISBN: 978-3-319-91886-0. Springer Nature. s 129.
  • Nordgård, Daniel (2017). Assessing Music Streaming and Industry Disruptions. ISBN: 978-3-319-52056-8. Palgrave Macmillan. s 26.
  • Nordgård, Daniel (2023). Pengestrømmer i norsk musikkliv/The Impacts of Digitalisation in the Music Markets.
  • Nordgård, Daniel (2023). Technological Evolution in the Music Industry.
  • Nordgård, Daniel (2023). Introduction to the 21st Century Music Industry.
  • Nordgård, Daniel (2023). An updated pedagogical approach to music and entrepreneurship.
  • Nordgård, Daniel (2023). Artificial Intelligence and the music Industries: Two Notions and one suggestion.
  • Nordgård, Daniel (2023). Finding your market without losing yourself.
  • Nordgård, Daniel (2023). The Impacts of digitalization in the music markets.
  • Nordgård, Daniel (2023). Sitting at the Table: Creating new knowledge through network dialogues.
  • Mæhle, Natalia; Shneor, Rotem; Munim, Ziaul Haque; Nordgård, Daniel; Bonet, Lluis; Lazarro, Elisabetta (2023). Round table: Crowdfunding Cultural Industries - the CROWDCUL project.

Last changed: 8.08.2023 12:08