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Anders Rykkja

Anders Rykkja

Department of Management >

 

+47 480 25 759

Anders Rykkja has an MA in Music Business Management from the University of Westminster. Currently, Anders is finalizing a doctoral thesis on crowdfunding as an innovative business model in the cultural and creative sectors.

Anders is affiliated with UiA's Crowdfunding Research Center as a researcher in general and in particular with the NRC project CROWDCUL.

Between 2014 and 2018, Anders was the coordinator of Knowledge Works, the national knowledge center for the cultural and creative industries. The center, which was an international research and knowledge center, was established and funded by the Ministry of Culture.

 

 

 

Projects

Anders is part of the research project CROWDCUL - Crowdfunding in the Cultural and Creative economy. CROWDCUL is an international research project on crowdfunding that focuses on adoption, effects and implications of this innovative funding strategy in the context of cultural practices. The project is funded by the Norwegian Research Council

Scientific publications

  • Thorkildsen, Kjersti; Rykkja, Anders (2022). Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries. International Journal of Music Business Research. ISSN: 2227-5789. 11 (2). s 47 - 58. doi:10.2478/ijmbr-2022-0006.
  • Rykkja, Anders; Hauge, Atle Jensen (2021). Crowdfunding and co-creation of value The case of the fashion brand Linjer. Culture, Creativity and Economy : Collaborative Practices, Value Creation and Spaces of Creativity. ISBN: 9781003197065. Routledge. Chapter 4.
  • Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque; Shneor, Rotem (2020). Crowdfunding in the Cultural Industries. Advances in Crowdfunding: Research and Practice. ISBN: 978-3-030-46309-0. Palgrave Macmillan. 18. s 423 - 440.
  • Rykkja, Anders; Munim, Ziaul Haque; Bonet, Lluis (2020). Varieties of cultural crowdfunding: The relationship between cultural production types and platform choice. Baltic Journal of Management. ISSN: 1746-5265. 15 (2). s 261 - 280. doi:10.1108/BJM-03-2019-0091.
  • Mæhle, Natalia; Demattos Guimaraes, Alice; Munim, Ziaul Haque; Rykkja, Anders; Bonet, Lluis; Nordgård, Daniel; Lazzaro, Elisabetta (2022). Roundtable: Crowdfunding in the Culture Sector.
  • Bonet, Lluis; Rykkja, Anders; Munim, Ziaul Haque; Shneor, Rotem (2022). Institutional Crowdfunding: A Research Proposal for Museet Midt, Norway.
  • Rykkja, Anders; Dalla Chiesa, Carolina (2022). The Digital Middleground Arena: the case of cultural crowdfunding.
  • Rykkja, Anders; Dalla Chiesa, Carolina (2022). A Digital Middleground Arena: the case of cultural crowdfunding.
  • Shneor, Rotem; Munim, Ziaul Haque; Mæhle, Natalia; Rykkja, Anders; Guimaraes, Alice Demattos; Dalla Chiesa, Carolina (2022). Crowdfunding Adoption by Artists: A comparative analysis of Norway and Brazil.
  • Rykkja, Anders; Munim, Ziaul Haque (2021). The Relationship between Cultural Production Types and Platform Choice: Findings from the Nordic Countries.
  • Shneor, Rotem; Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque (2021). Drivers of Norwegian Artists' Use of Crowdfunding for Financing their Projects.
  • Rykkja, Anders; Munim, Ziaul Haque; Bonet, Lluis (2021). Varieties of Cultural Crowdfunding: The Relationship Between Cultural Production Types and Platform Choice.
  • Shneor, Rotem; Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque (2021). Drivers of Norwegian Artists' Use of Crowdfunding for Financing their Projects.

Sectors

In social media

Last changed: 15.03.2023 09:03